Trailowner

Friday, February 17, 2012

Rast has been nominated for the Global e-Book Awards




Hi All:

I was notified this evening that my high fantasy novel, Rast, has been nominated for the Fantasy genre of the Global e-Book Awards. I have a number of promotional plans to work on in company with the judging, so I expect I will be posting more often here while the Awards process is going.

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Tuesday, January 03, 2012

Sources for Anywhere and Nowhere

Discussion on finding research sources for military history, history of technology, castles, ruins, and ships. While the Internet has become a valuable research resource, there’s nothing like being there and touching the bones.

1. Living in the history

2. Books and used bookstores

3. Who’s online?

4. Museums, Re-enactments and battlefields

5. Techniques, sharing sites, and questions

2. Books and used bookstores

I found a couple of prize military research books in a used bookstore in Exeter, Devon. The older is “Manual of Field Engineering” 1911, the other is “Field Service Pocket Book” 1914. Both published by the British Army of that era for their officers in the field.

In “The Wildcat’s Victory”, Gisel needed to get two of her squadrons of light cavalry across an unfordable river, The answer was in the field engineering manual, item 81. Tackle for Swimming Horses. An officer and 35 men are sent across the river by commandeered small boats. There they help deploy a continuous rope over pulleys on two posts they plant solidly in the ground, while the main party constructs the same on their side. Horses take their turn, tied to the rope at intervals of about ten yards with head collars and head ropes. When the continuous rope is pulled around the posts (by manpower) the animals are driven singly into the water, which obliges them to swim across. When they reach the other side, men are waiting release them from the rope and lead them away. I figured at a rate of one horse a minute, Gisel’s squadrons could get all their animals across in a little over four hours.

Once I even used the handbook’s calculations for constructing timber bridges in the field to determine if an old logging bridge was safe to carry three tracked drills weighing 15 tons each across a river. It was; nobody fell in the river. The Field Service book is invaluable for determining times of march, ration scales, camp cooking and fuel and forage for my characters on journeys or campaigns—although I often supplement it with a book on “The Imperial Roman Army” I’ve owned for years.

It took me visits to a number of used bookstores to finish my collection of “Weapons and Warfare” a set of 24 encyclopaedias, out of print since 1980, that cover almost everything a writer wants to know about the ships, tanks, planes, rifles, guns and what have you from the 20th century. I bought a book called “The Medieval Fortress” from the Military History Book Club ( a good source if you have shelf space for all the tempting books) but a couple of used books, library discards, “The Palaces of Medieval England” and “Castles from the Air” filled in some of the blanks in the coverage.
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What about non-warlike research? When I ran steam plant I had to take qualifying exams, and I still keep the course material to hand to fill in the inevitable memory blanks. A visit to a liquidation store supplied me with a copy of “Jane Austen; A Family History” that is well thumbed now I’m venturing into writing about Regency times. Of course having the collection of contemporary classic novel reprints that my Mother collected (another book club) are also a valuable resource. When we had a good choice of smaller bookstore chains a few years ago I often visited one to pick up their used university textbooks, and still refer often to an old copy of “European Economic History” to check on credible figures to use for coinage, rates of exchange at different periods, the growth of cities, etc for my alternate history novels. Then there are the two physics texts, the chemistry, biology and economics books I use for reference...not to earn an academic qualification I must point out, but to be able to write fiction with credible backgrounds.

I’m sure your interests have governed the kind of material you have collected. While the topics you want to collect will be different than mine, the principle holds true. Your life experience and books you have collected will inevitably channel your writing into certain genres. Look out for the regular library discard sales and snap up anything that seems remotely connected to something you may write; visit used bookstores regularly to see what they’ve recently acquired—talk to the owners and let them know your interests. While I’ve never gone to estate auctions, my Mother used to haunt them and I still have copies of books from earlier years that she picked up for a few pence. How about “Memoirs of the Crusades”, including the Villehardouin translation from the thirteenth century and the de Joinville one of the fourteenth? I’ve also got a copy of “Conquest of Peru”, a mid 19th century reprint by Prescott.

What prizes have you found in bookstores? What other sources of research books would you recommend? So, don’t hang back, start collecting the books that will give you a more solid grounding in the kinds of fiction you want to write. Note that I said fiction—for non-fiction you must be completely up to date and that requires more academic expertise than most fiction writers want to jump into. For that level of research you need to have a friend or two in the academic field, and guess what—I have one of those too, as long as I don’t waste too much of her time. That suggests another source of research that I’ll mention next time.

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Friday, December 23, 2011

Steaming to Romance

Hi All:

Interrupting my posts of the Muse Conference workshop to let you know that the first two novellas of my Regency Romance\Steampunk crossover were sent to the submissions team yesterday. Since my editor for "Rast", the fantasy novel published there last March, is one of the submissions editors I am hopeful they will find a place to fit them into the catalogue.

After much deliberation and mind changing I'm calling the series of four novellas "Steaming to Romance" since it is both a very drawn out Regency romantic adventure and a steam powered spying and sea-fight tale. The first novella, "Spinster of Steam" introduces Roberta, the fictional daughter of George Stephenson and her steam ram "Spiteful" and two of the male leads. The second, "Romance and Steam" introduces two more male leads (on the premise that the more suitors the better) and the action in Roberta's shipyard to begin fulfilling the orders for the navy as well as readying some agents to spy on Napoleon's shipyards.

Meant to offer best wishes for the Holidays and New Year, so will tag it on here. Will post more workshop until I have more info to update the novella story submission.

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Sunday, December 04, 2011

More Sources for Writers.

Continuing the repost of a Workshop I gave at the Muse Online Writers’ Conference http://themuseonlinewritersconference.com/ this year I will post the rest of the first day’s workshop 1. Being There: Living in the History. (The first part is the next post below.)

Now to a somewhat later history. In my Iskander series story The Wildcat’s Victory I wanted Gisel to command a scouting force that has to slow down the advance of a much larger formation. The historical time in the alternate world is around 1700 but Gisel’s people are from a modern age and they could equip her with a few newer weapons to even the odds. I decided to have her demand a battery of 1900 vintage field guns to increase her striking power (the Iskanders had been improving on the local weaponry for a few years). Seen any early field guns lately? Luckily, I have a nearby example outside a Canadian Legion branch at Lethbridge—a WWI Krupp 77mm weapon, developed from the Erhardt fifteen pounder (that I had picked as Gisel’s model; the British Army bought some to even the odds in the Boer War). I already knew how to crew a field gun and calculate the aiming, from my basic training in the Royal Artillery, on WWII twenty-five pounders back in 1959, so I was able to ‘teach’ Gisel how to act as her own forward observer (FO) and enable her guns to use their seven kilometre range to defeat the enemy cannons and a whole brigade of cavalry in her final desperate action.

Now, is that writing what you know or knowing what you want to write? Probably a bit of both. My writing sometimes ventures into deserts (as in my fantasy Rast) and I spent more than four years working in the Libyan Desert; if I need to write a scene in the Arctic I can use my two years’ experience surveying in the Arctic Islands. If Gisel needs to fly in their spaceplane freighter I put her in my memory of the Hercs we used to haul our equipment and fuel to our prospects in the Arctic so I can describe riding in the aircraft hold or on the bunk behind the pilots in the cockpit.

What about ships? The feel of my galleons and ships of the line are all modelled on HMS Victory that I’ve visited several times. If I need a more modern battlewagon I recall my impressions of the USS Texas of 1913, waiting to welcome visitors beside the San Jacinto monument outside Houston; or the battleships and carriers the Royal Navy used to put on display at Navy Days when I was a kid. Aircraft I can remember in their hundreds, I studied some aeronautical engineering at Farnborough. Steam engines, that figure in both Rast and some of the Iskander novels are easy—I’m familiar with stationary steam plant and operated boilers and both turbine and reciprocating engines.

I’d like to hear about your experiences of visiting places that have featured later in your writing—what did touching the bones add to your writing of the scenes? I have more examples to show you—if you want to see them I have three scenes from my Iskander series novels where I use my background info for the scenes using castle, dungeon, and artillery handling. The file is in the Presenters forum on the Conference Forum page. I you can’t find it, I have to admit that neither can I, but we’ll sort that out Monday morning.

Well, I suspect you’re getting the point of the sermon, but what if you’ve not managed to do all that preparation? The rest of this presentation had better cover some of that. Next time I will tell you what useful texts I’ve found in used bookstores as well as some well chosen book clubs.

Sunday, November 20, 2011

Sources for Anywhere and Nowhere

These next few posts are going to be reprints of the workshop I gave on research sources in the 2011 Muse Online Writers’ Conference. Christopher Hoare; http://christopherhoare.ca/

Discussion on finding research sources for military history, history of technology, castles, ruins, and ships. While the Internet has become a valuable research resource, there’s nothing like being there and touching the bones.

1. Living in the history

2. Books and used bookstores

3. Who’s online?

4. Museums, Re-enactments and battlefields

5. Techniques, sharing sites, and questions



1. Being There: Living in the History.

I must first acknowledge that an awful lot of investigation aimed at catching up on background research for fiction can be done online today. However, reading about the detail your story needs isn’t as good as actually touching the bones.

In somewhat the same vein as the aphorism “write what you know” I have to suggest that if you ever think, or thought, you wanted to write fiction one day, you should ideally have already been living the life that leads toward the writing you want to do. I must hasten to add that this is not an unbreakable law, nor a fatal error if you haven’t collected experiences and knowledge that you now find useful. I merely suggest that it will be easier to write what you know if you have always
built your knowledge base with a leaning toward that writing. I’ll offer a couple of examples.

I was born and raised in England and have always been interested in the remnants of history scattered about the countryside. I liked visiting castles, Iron Age oppidas, and traces of Roman roads and marching camps. Today, if I need to include a scene in a castle, I have memories of being in several to draw out and add to the page. What good castles would I recommend from Europe? Bodiam in Sussex, an empty and largely intact coastal fortress dating from the 1380's, is a great prototype to adapt to almost any medieval castle your story needs. A bit later and something more Disneyesque? You can hardly beat Berg Eltz near Cochem an der Mosel in Germany. Still occupied by the Counts of Eltz, it has parts open to the public most of the year. The oldest part of the structure just grew into a twisted labyrinth of rooms and passages in Medieval times, while the present residential wings are mostly 16th and 17th century. I use the maze of steps and twisted passages of the old wing of Eltz whenever I want to ‘feel’ what it’s like in a confusing stone fortress. Can’t leave castles without mentioning the visitable dungeon at Rheinfels above St Goar on the Rhine. It has the bottle shaped holes in the wall beneath the guardroom, where the prisoners had to be let down or brought up on a rope when the hatch in the floor was opened. One of the four (as I recall) dungeons has a hole broken in the wall at the base where a visitor can enter from the courtyard level and imagine being confined in the pitch dark stinking hole for years. I put my protagonist Gisel Matah in one of these kinds of dungeon in Deadly Enterprise.

The second half of this discussion will be the topic of my next post here.

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Sunday, November 06, 2011

Apologies---but read the review

It has been over a month since I last posted here. Post frequency will pick up soon---another two reviews due and progress (and teasers) for my latest project to report.

Sold nine POD copies of Rast this past month, as well as nine PODs of my Iskander series novels. Eighteen copies of books in less than a month is a record around here, so I have to admit being pleased.

Read the new review of Rast---second post after this one. I received word from one of my reviewers that she has received the copy I sent, so I'm hoping I will have a new review for Christmas.

The two novellas of my Regency romance/steampunk crossover are progressing. I want to submit them this month along with a rough synopsis of the third novella. There has to be a fourth, but apart from the fact I have to settle the romance between my protagonist and one of her three new admirers, I haven't decided what has to happen.

I'm still posting the excerpts of Regency Bagatelle on my other blog http://thewildcatsvictory.wordpress.com I started Bagatelle to practice writing that sounded authentic Regency and the exercise has passed 12000 words and is still going. Maybe it would make a novella, but it has already been published electronically, on the blog. Perhaps I'll add it to my website as a new give-away.

That's about it for now...but scroll down and read the review. Bye.

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Monday, October 03, 2011

I don't really want to hide the review

Hi All:

I really need to post a new blog entry but as I say above .... well, you know how it is. Someone says something good about you and you want to relish it.

This is now the site for my fantasy, Rast, and the publisher MuseItUp. I have started on a new submission to Muse, but it's not what my editor wants me to work on. I know I'm supposed to follow good advice, but I'm not ready to return to the magic realm of Rast, nor to Offran the materialist nation of Commander Antar, the novel antagonist, where much of the next novel must take place.

I have had some votes for making the Pythian, the mysterious oracle living under the palace of Rast, a more significant character next time. Perhaps even the narrator of the next story, which is a keen idea most likely to start me writing. Thanks Nancy (my editor).

But at the moment I'm working on my Regency non-romance as a series of novellas, with the first entitled (now) Spinster of Steam. It was supposed to be a romance, but the background scenario has hidden the romance. It's still there; by the time we get to the second novella the romantic elements will take shape. It crosses a whole slew of genres; romance, regency, steampunk, espionage, satire (two male characters are spoofs of James Bond and Sherlock Holmes) and alternate history. It takes place in the middle of the Regency period (strictly, 1811 to 1820) and I'm looking for a way to bring Napoleon in for a guest appearance.

Anyway, that's my to do list. Don't forget to look at the review of Rast in the previous post.

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